Keywords:
Medieval India, religious architecture, sacred art, temple patronage, devotional practices, cultural exchange
Abstract
Art, architecture, and religious practices acted as intertwined shaping factors of the cultural development of medieval India. This paper explores how religious buildings, art works, and devotional activities interacted with each other from about 750 to 1700 CE. Using a qualitative comparative approach, the analysis compares six architectural complexes: Khajuraho, Great Living Chola Temples, Qutb Complex, Hampi, Humayun's Tomb, and Taj Mahal. It draws on scholarly sources and institutional records focusing on the aspects of patronage, space, art, and worship. The analysis uses descriptive statistics to outline the characteristics of the chosen corpus rather than estimating conditions in medieval India. It shows that religious monuments served simultaneously as places of worship, coercive or ceremonial statements of authority, spaces for artistic production, and repositories of collective memory. Architectural interaction took place alongside political competition and religious differentiation. The conclusion is that the cultural production in medieval India can be understood as interrelations between patrons, artisans, religious institutions, and participants of the worship.
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References
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How to cite
Dr. Nageshwar Joolu (2026). Art, Architecture and Religious Practices During the Medieval Period in India. International Journal of Research in Humanities and Social Sciences, 14(11), 18-24.
Licence
This article is open access, published under the CC BY 4.0 licence. Copyright remains with the authors.